I like superheroes. I grew up with reruns of the 1960s
Batman TV series. The Superman films were released when I was really young. The Amazing Spider-Man, Wonder Woman and The Incredible Hulk were nighttime TV shows. And
one of the defining motion picture releases of my teenage years was Tim Burton’s
Batman in 1989.
I was never a big comic book reader as a kid – I’ve probably
read more comic books, uh, graphic novels in the last ten years than any time
before that. But superheroes were always very cool. And Burton’s Batman took my
favourite superhero very seriously. Well, until Christopher Nolan’s Batman
Begins appeared – taking it ultra-seriously and much darker than I’d ever hoped
for.
As a non-comic reader, I find it hard to align myself as a
DC (Batman, Superman, Wonder Woman) or Marvel Universe (Spider-Man, X-Men, The
Avengers and its consitutent parts) person. They appeal to different parts of
my brain. In effect, DC’s superheroes are often lone warriors and the Marvel
Universe seems to be more densely populated with superheroes that support each
other.
Of course, that’s not exactly right – where Marvel has The
Avengers, DC has the Justice League, which was always my favourite part of
Saturday morning cartoon watching: superheroes teaming up. But while the DC
characters are scattered across movie studios, Marvel has its own studio which
has spent the last several years dedicating itself to setting up their ultimate
superhero team.
We’ve seen Iron Man 1 & 2, Thor, Captain America: The First Avenger and two
different swings (and misses?) at the Incredible Hulk. And now it has come to
this, a film which sounds cool but leads to the question: can we seriously have
that much awesome on the one screen?
When you’ve got a cast like Robert Downey Jnr, Chris
Hemsworth, Chris Evans, Scarlett Johannsen, Jeremy Renner, Samuel L. Jackson
and Mark Ruffalo all in the one film – how can you possibly hope to satisfy
them and all of our audience needs?
By writing a character-driven blockbuster.
It’s almost unheard of these days to have a comprehensible
big budget motion picture extravaganza. And, hey, if people are paying to see
Transformers and its sequels – why bother with writing a decent plot when you
can just throw giant robots and Baysplosions at the screen?!
The Avengers, in the hands of writer/director Joss Whedon,
takes characters we’ve seen before and puts them together in a dysfunctional
family situation. These heroes are driven by their egos. Putting them into the
same room is trouble enough; expecting them to function as a cohesive unit is
madness.
Yes, there is some plot about Thor’s brother Loki trying to
open a doorway in the space-time continuumm to invite through a legion of evil
space aliens to conquer the Earth – but do you know what the most important
part of that story is? The fact Loki is Thor’s brother. It’s fallout from the
sibling rivlalry in the film Thor. It’s not just a random villain; it’s family.
Loki’s plan is Evil Overlord Generica, but The Avengers is
the story of the team coming together and working out their differences.
Defeating the bad guy is far less important – to them and to the audience.
The absolute highlights of the film are seeing these strong
characters interact. The arrogant Tony Stark against the human weapon, Captain
America. The Norse God against the scientist with the rage monster inside. The
Black Widow trying to make sense of (and/or avoid) all this male posturing.
Whedon, creator of Buffy the Vampire Slayer, Angel, Firefly
(and its motion picture spin-off, Serenity), knows how to create iconic hero
moments without forgetting the characters themselves. And as the showrunner of
TV series with large casts, he knows how to give each and every character and
actor their due. The biggest risk with a film like The Avengers is giving each
character enough screentime – without seeming to favour one particular hero
over another.
It might have been easy to let Downey Jnr’s Tony Stark take
over; he’s handsome, charismatic and hilarious. But it’s not his film. It’s not
Thor’s film. Nor the Hulk’s film. Nor the Black Widow’s film. This is The
Avengers. This is about building a team out of parts that don’t belong
together.
Mark Ruffalo puts in probably the best performance of the
film, which is great since it’s his first time out as Bruce Banner/Hulk. The
character is far more interesting to me here than in any previous incarnation.
Scarlett Johannsen gets a fully-rounded Natasha/Black Widow, after having
almost nothing to do in Iron Man 2. Her backstory with Hawkeye keeps them both interesting
throughout; hints at an origin story in a film we are yet to see.
We know what to expect from the other actors and characters,
though Chris Evan’s Captain America is still adjusting to living in the
twenty-first century after being frozen during World War II. Luckily, Iron Man
and Thor are great characters to watch and revisit; and as I keep harping on
about – it’s the interactions that make this film work so wonderfully well.
Whedon takes these kind of stories seriously, too. It’s not
just witty dialogue and explosions. While the basic plot might be thin, its
getting under the skin of the heroes that keeps things really interesting.
Bruce Banner talks about always being angry. Natasha’s emotional armour gets
briefly stripped away in an interrogation scene with Loki. Even Tony Stark has
a moment of clear anger late in the film; a moment which galvanises the whole
team to action.
The effects in the film are pretty amazing. And while I can
forgive slow pacing in the first part of the film, I think the final battle is
overly long; there’s a point at which destruction becomes just a blur to me.
But I am happy to say that I enjoyed the film from beginning
to end, because we’ve got a wonderful writer and director with a star-studded
line-up of amazing actors and an iconic roster of earth’s mightiest heroes
assembling on screen for the first time together.
Bring on The Avengers 2!
And don’t be surprised if I’m not so thrilled with the
prospect of Iron Man 3, Captain America 2 and Thor 2, now that I’ve seen how
well they can play together.
BIG SPOILERS IN THE COMMENTS. YOU HAVE BEEN WARNED.
BIG SPOILERS IN THE COMMENTS. YOU HAVE BEEN WARNED.
Comments
I haven't seen the movie yet, but I know. to say I am going to be a wreck when it happens is an understatement.
yes, I am a *huge* fan of Agent Coulson.
The team dynamic definitely held it together, I'm glad the original 'Captain America and Friends' angle was ultimately scrapped in the editing room. I was also really impressed with the tone, it didn't take itself seriously at all, but at the same time, it had genuine heart.
And the action, aurgh! I tend to glaze over blockbuster action scenes, but my jaw was on the floor during the various battles. My sister kept turning around and laughing at the expression of childlike wonder plastered to my face the whole time!
Clark Gregg does another amazing job - helping to tie the franchise together, being a fanboy to Captain America, and bringing Earth's Mightiest Heroes together.
Sometimes you don't know how much you love someone until you lose them and while it should have been expected - who else could Joss Whedon have killed - it's still used to drive the story. It's not random. It's painful and horrible.
And... there is some rumour that he's been signed for Iron Man 3, which would annoy me no end. I know no one stays dead in comic books, but... this is a movie goddamit!